Fabulous item shows the filming of several veteran car tag pieces for TV series 'The Avengers'. At Lord Montagu's Motor Museum we see the filming of the 'tag' pieces for episodes of The Avengers television series, where Diana Rigg and Patrick Macnee drive off in a vintage car - a different one each time. Several shots of the cast and crew in the grounds of Beaulieu; Patrick Macnee chats to Lord Montagu. Patrick and Diana get into a veteran car; Diana puts on a groovy kind of face/eye shield and they drive off; they stop and the director gives instructions to Diana; as they start off again funny business ensues as Diana puts her feet up, then jumps from the car, leaps back in, clutches her head and so on. Diana, in an evening outfit of a chiffon over harem pants, has her make-up touched up. Another sequence is shot with a different vintage car; when it doesn't start, Diana gets from the back seat into the front and prepares to drive while Patrick goes to the rear to push, and ends up with a blackened face from the exhaust. He gets in; Diana drives off. Commentator says the crew are trying to complete all these end sequences in one day's shooting. Diana, in a blue cat suit, chews gum while receiving direction. In this sequence, Diana and Patrick start to push the veteran car which zooms off without them as they chase after it. Note: according to a press release on file, this series was the first in Colour. More details in notes on the clothes worn and the filming of these tag pieces; Diana's costumes were designed by Alan Hughes; Patrick wore his own suits! Cuts exist - see separate record

18th century Agisters and pigs with rights to wander are just some of the ancient traditions celebrated in this beguiling look at life in the New Forest. Less familiar sights are captured, too, such as broom making and logging, forestry planting and sailing on the River Beaulieu near Buckler's Hard. No film about the area would be complete, though, without the famous Forest ponies – who are seen here in all their equine glory.

Black and White
Director Roy Layzell
Featuring John Snagge
Released 1952

https://www.fawleyonline.org.uk/forest-heritage/
A portrait of the landscape, people and traditions of the New Forest in the 1950s.

Forest Heritage is a poetic portrait of life in the New Forest in the 1950s.

The cinematography by Roy Layzell, music by Clifton Parker and commentary by John Snagge combine to make this a gem amongst the documentary ‘shorts’ of the period.

It was commissioned by the Esso Petroleum Company in 1952, just as they were establishing a new refinery on the eastern edge of the New Forest at Fawley, but Forest Heritage is entirely concerned with the natural beauty and traditions of the area: ‘A place out of this modern world where simple pleasures are enough – a miraculous survival of pre-Norman England’.

Mrs Mitchell fights for her home. Ringwood, Hampshire. Defying Hampshire County Council's ban, widow Mitchell plans to rebuild the half-finished house the council bulldozed. GV. Mrs Mitchell's partly demolished house. LV. Mrs Mitchell in front of her shack (improvised) feeding chickens. CU. Four pigs waiting to be fed in pen. SCU. Mrs Mitchell feeding pigs. SV. Mrs Mitchell walks to wheelbarrow, picks it up and wheels it out of picture to her demolished house site. GV. Mrs Mitchell wheeling barrow partly filled with bricks. She tips up barrow to empty bricks. CU. Mrs Mitchell pushing barrow over to empty bricks. SV. Mrs Mitchell's son and daughter clearing bricks from the rubble. CU. Mrs Mitchell's daughter helping load bricks into the barrow. SV. Mr Desmond Bailey, who helped to build the house, calls over Mrs Hughes' son Ian for consultation with plans for construction of another house. CU. Mr Bailey and Ian consulting over plans. CU. Pencil pointing to plans on paper of new house. LV. Mr Bailey and Ian Hughes marking out for new house. LV. Mrs Mitchell with the help of neighbours lifting off window frame from heap of rubble. CU. Mrs Mitchell carrying window frame with help of neighbour. GV. Mrs Mitchell with neighbours still clearing away rubble from the bulldozed site

Southampton 1900, A Tram Journey. Starting at North Gate, Bargate Arch. North along Above Bar Street. Finishing at The Clock Tower, Palmerston Park.

Bed racing along streets of Romsey during carnival festivities. Hampshire. SV Exterior as young girl gets into bed at Romsey. CU Person making final adjustments to wheel. Pan up to show girl seated on bed. CU The girl. SV Girl sitting in bed. Bed is done up and called, "Bed mobile G.T.". CU Girl settling down in her seat in the bed mobile. CU Wheels of bed moving forward. Pan up to people pushing it. This bed is moving towards starting line. CU Girl in bed being pushed along towards starting line. CU Another ditto. CU Sign of bed. Pan up to lady sitting on bed. Pan down to pot hanging under bed. GV Beds lined up for start. CU Carnival Queen of Romsey, 18 year old Jane Edwards, starting race. SV Pan as beds race away. GV Beds race to- wards camera. Back V. Beds start to go out into the country. GV Bed going across small stream. Somebody on bank throws flour out over people who are pushing the bed. SV Four men holding bed over their heads coming across narrow bridge. GV More beds across stream with people throwing flour at people pushing them. SV Bed being pushed across narrow bridge. This bed belongs to Romsey Young Farmers, which was eventual second in race. Followed by another bed. SV Another bed being brought across bridge. CU Wheel on bed turning. LS Bed with long dragon's head pointing from bottom is pushed up ramp which has been greased so that people slip and slide. Bed comes over ramp. A man standing in back of van throws bucket of water over people pushing it. GV Four poster bed over ramp. Man throws bucket of water. Travelling S. Through street as camera passes bed. Travelling Another bed. This bed is the one with the serpents head on it. In this shot head is touching the ground. CU Pan as winning bed finishes. SV As bed comes to a halt. People who have been pushing it slump onto the bed. SV Crowd. SV One of the people who were pushing winning bed receives trophy from Jane Edwards. The person kisses Jane Edwards