Ytene is an ancient name for the area now known as the New Forest. It was the site of the Jutish Kingdom and translates as "of the Jutes".

Filmed over a two year period by Manuel Hinge, Ytene explores the wildlife found in the New Forest in southern England.

The woodland, bogs and heaths of the area are home to wild ponies, fallow deer, badgers, foxes, wildfowl, and insects. Seasonal changes are shown, and some elusive species, such as firecrests, hawfinches, woodlarks and tadpole shrimps are pictured. The programme is interwoven with historical re-enactments and describes the change in land use from mediaeval times.

Filmed and Directed by Manuel Hinge
Music by Martin Kiszko
Film Editor Martin Elsbury
Dubbing Editor Angela Groves
Dubbing Mixer Graham Wild
Unit Manager Christina Hamilton
Production Assistant Elizabeth Toogood
Field Assistant Len Mummery
Sound Recordist Nigel Tucker
Produced by Steve Nicholls
Executive Producer John Sparks
Originally broadcast in The Natural World series 1995

This is the version as aired on BBC in 1995.
Our thanks to The Natural History Unit for supplying the original master.
Film upscaled by New Forest Gateway (Media Archive).

Building a Cob house in a day.

Imagine the year is 1650, a young couple, Jacob and Catherine are about to get married, but have nowhere to live together. Their respective houses are already over-crowded. Up to 10 or more people would live in a Cob house 25 feet long and 13 feet wide.

Hence the practice of erecting a house in a single day by the whole village for the newly-weds. A communal venture. Once the house was completed, the householder would treat their guests to a party of eating, drinking and dancing.

But how was it possible to build a house in a little over sixteen hours, and could it be re-attempted 350 years later? The following is an account of an incredible day and a brilliant group of volunteers who made it all possible.

Our thanks to the staff at Meridian Broadcasting in Northam for their help in sourcing this film.

What's New In The Forest, Produced by The Wildlife Society in 1974

A brief history to describe the forest, then and now. A look at the various species of deer to be found. The geology. Forest law and the New Forest. Eyeworth Pond, a special place. A look at some of the more unusual Flora. The Forest Lawns and grazing. Common rights. New Forest Pony as a breed. Red Fox on a hillside and beware of Adders in the long grass. Setting up a filming hide on a Bullfinch nest. A pony drift. The Agister's responsibilities. The pressures of traffic filmed and described. Pollution and the proximity of Fawley Refinery. The Forestry Commission management. Timber extraction. Regulation of caravanning and camping. Draining bogs. The pony sales at Beaulieu Road.

Narrated by Tony Askew

Contributors:
Jack Dalley Inkpen, Berkshire
May Dalley Inkpen, Berkshire
Ronald Downham Croydon, Surrey
Angela Hughes Hammoon, Dorset
Violet Maxse West Burton, Sussex
Frances Murphy Hampton, Middlesex
John Murphy Hampton, Middlesex
Peter Nichols Kingston-upon-Thames, Surrey
John Norie Hicliffe, Dorset
David Orr Redgrave, Suffilk
Geoffrey Paulson-Ellis Headley, Hampsire
Jane Paulson-Ellis Headley, Hampsire
John Pitcher Epsom, Surrey
Ricky Pitcher Epsom, Surrey
Jack White ARPS Tifield, Berkshire
Norman Wylie-Moore Heathfield, Sussex


Featured Fauna and Flora:
Adder
Bog Aspendale
Bogbean
Bog Myrtle
Bullfinch
Cattle
Common Frog
Cotton Grass
Damselfly
Donkies
Great Sallow
New Forest Ponies
Orchids
Red Fox
Spierwit
Sundew
Water Crowfoot
Wild Gladiolus

Fabulous item shows the filming of several veteran car tag pieces for TV series 'The Avengers'. At Lord Montagu's Motor Museum we see the filming of the 'tag' pieces for episodes of The Avengers television series, where Diana Rigg and Patrick Macnee drive off in a vintage car - a different one each time. Several shots of the cast and crew in the grounds of Beaulieu; Patrick Macnee chats to Lord Montagu. Patrick and Diana get into a veteran car; Diana puts on a groovy kind of face/eye shield and they drive off; they stop and the director gives instructions to Diana; as they start off again funny business ensues as Diana puts her feet up, then jumps from the car, leaps back in, clutches her head and so on. Diana, in an evening outfit of a chiffon over harem pants, has her make-up touched up. Another sequence is shot with a different vintage car; when it doesn't start, Diana gets from the back seat into the front and prepares to drive while Patrick goes to the rear to push, and ends up with a blackened face from the exhaust. He gets in; Diana drives off. Commentator says the crew are trying to complete all these end sequences in one day's shooting. Diana, in a blue cat suit, chews gum while receiving direction. In this sequence, Diana and Patrick start to push the veteran car which zooms off without them as they chase after it. Note: according to a press release on file, this series was the first in Colour. More details in notes on the clothes worn and the filming of these tag pieces; Diana's costumes were designed by Alan Hughes; Patrick wore his own suits! Cuts exist - see separate record

The wall targets at Ashley Walk Bombing Range.

Over 3,000 acres of Ashley Walk were fenced off during the Second World War. Within this area many types of air delivered bombs were tested. Special concrete structures were built to assess the various bomb's effectiveness. There is still visible evidence of these structures and the scars remain from the largest weapons.

"Highball" was considered one of the smaller 'special weapons'. These tests were using actual size casings but without the high explosive. The footage here is thought to be from late 1942 and early 1943.